are all around us. I made it my practice to notice little subtle movements and bring them to the level of being a dance, a choreography, a performance.
I like to notice movements that that are there before the doer notices them. In the very noticing of the doer there lies the potential of movement becoming dance, choreography, performance.
I sitt a lot. I observe a lot. The movements. And mine are here to facilitate the making of dance, choreography and performance.